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THEY MIGHT BE GIANTS London Forum 26 May 2005   Print  E-mail 
Written by Mark Reed  
Wednesday, 01 June 2005

Attack Of The 6 Foot Nerd Rockers!

 

If you do anything long enough it becomes a career. And twenty three years into their career, They Might Be Giants, Americas best – and best-kept – secret, are still prolifically treading water at a commercial plateau. And that’s not to say they deserve to play half-sold clubs on sweltering Thursdays, but that while people are busy stuffing increasingly-bland and generic upstarts down our throats, talent deemed too clever, too quirky, and frankly, too good, is often bubbling under.

 

By rights, they should be headlining arenas. I know. Arena rocks sucks. But wouldn’t it be nice if more people liked bands this good instead of Blink 182? The world would be a better place, for a start. And people might help old ladies across the road.

 

From the off, TMBG’s quirky, intelligent cyclops rock offers us the science of msuic. Songs aren’t just songs, but densely plotted, flippantly humourous interpretations of our world. Like the geeks they are, entire songs are built out of the smallest of details, and whilst on might claim that these are the works of the Woody Allen’s Of Rock, the tender beating heart is always shown. Songs often falter on abstract concepts (“The Alphabet Of Nations” and “Museum Of Idiots"), yet use this as a way of unlocking the truth within. An artist is always most truthful when wearing a mask.

 

Tonights relentless, greatest-hits set, tailored to upcoming European festival shows, sees the duo on guitar, accordian, keyboards, and shared vocals, whilst ably backed by The Band Of Dans who manage to play almost every other instrument known to man. The bizarre instrumental lineup results in a band that sounds like no one else in the world, perhaps to their chagrin of their bank manager.

 

Nonetheless, a opening suckpunch sees the band dispatch with “Istanbul Not Constantinople”, “Boss Of Me”, “Dr.Worm” and “Don’t Let’s Start” in short order, before moving further into their catalogue.

 

In a pace and enthusiasm-draining segment, aided and abetted by Jonathan Ross in a  cape and vampire outfit, tonight they play 7 songs in a 20-minute ‘tour medley’ that covers the globe and details the minuatae of touring : they play two songs called “The House Of Blues” (“The Las Vegas House Of Blues” and “The Anaheim House Of Blues”), before regaling us with odes to Glasgow, Vancouver, Brooklyn, Alberta, and no doubt other corners of this beautiful world. Whilst the songs are undoubtedly excellent, playing 20 minutes of ‘new’ material mid-show slaughters the pace and results in a distinct move to the bar. To criticise them for actually writing new songs is to be the enemy of progess mind you, and invention is the thing that pushes mankind to evolution.

 

Undaunted, TMBG return to their well known back catalogue, and dazzle with Their Compendium Of Nerd Rock, archly deconstructing the utter stupidity of the central tenements of rock, with moves that should be called “This-looks-stupid, but-I-know-it-looks-stupid, and I-like-it, yee-haw!”. By the end of the set, the assembled thousand or so are left in a state of mild exhaustion, having being thoroughly dazzled by the invention of a utterly sincere, yet knowingly mocking, intelligent brand of Geek Rock that the world needs more of.  

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